Ancient Egyptian public religious ceremonies: Processions, festivals.
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Public religious ceremoniesThe daily worship from which the public was excluded, took place inside the temples. The statues of the gods were tended by priests who had to cleanse themselves ritually before entering the temple. The ordinary people worshipped their housegods at home or found a listening ear at some of the temples.The public retelling of the story of Osiris led to spectacles which can be described as theatre, in which lay persons and priests took part. But the populace as a whole became involved during the festivals, which were a time of indulgence for the ordinarily frugal Egyptians. At the Ramesseum during the three week long Opet festival 11,400 bread loaves and cakes were baked and eaten, 385 measures of beer were consumed as well as considerable amounts of meat, wine, fruit. The Sokar festival lasted ten days with a consumption of 7400 loaves of bread and cakes and 1372 measures of beer. ProcessionsOn the holidays the gods were carried outside in their gilded boats, often made a short journey on the Nile before returning to the gloom of their naos. These processions were occasions of public celebrations, with people travelling great distances to participate.Of some of the processions one knows during which season they happened. On the Hassawanarti island near Elephantine rock inscriptions concerning the event were carved at a height which corresponded to the lowest yearly water level of the Nile during the New Kingdom. Thus the procession took place in late spring. Other sources speak of the progression by boat of Anuket from Elephantine to the Sehel island occurring at approximately the same time of the year [2]. The Egyptians hold their solemn assemblies not once in the year but often, especially and with the greatest zeal and devotion at the city of Bubastis for Artemis (Pasht), and next at Busiris for Isis; for in this last-named city there is a very great temple of Isis, and this city standsSome of the processions took on a national rather than a regional character during the New Kingdom. Rock inscriptions on Hassawanarti speak of the participants: Courtiers, the crown prince, officials of the treasury and palace administration, the vice-roy of Kush, priests representing the Amen temple at Karnak and the temple of Montu, and high military men. The minor Khnum chapel at Gebel Tingar near Aswan on the other hand had only local fame. It attracted workers from the near-by quarries, ordinary soldiers on duty in the region and priests of the lower ranks [2]. The Opet FestivalAmen's procession at Karnak, the most important in the New Kingdom, took place on the 19th day of the second month of the first season (akhet). The road along which the statues of the Theban Triad were carried was lined with peddlers hawking fruit and other kinds of food.
The stern and bow of Amen's boat were adorned with rams' heads, Mut's had heads of women and Khonsu's of falcons. The carriers of the boats had clean shaven faces and heads and wore knee-length kilts [1].
Priests carrying bark, 19th dynasty They were towed by fully equipped soldiers, carrying shields, spears and axes, and accompanied by standard bearers, while the onlooking men clapped and the women sounded sistra and castanets. Libyans sang and Nubians danced. The barges were tied to sailing ships and made their way slowly towards Luxor amidst an armada of ships and boats. Three weeks later the statues were returned to their temples at Karnak, another occasion for public celebrations. The Beautiful Feast of the ValleyThere were other public processions of the god. During the Beautiful Feast of the Valley, celebrated in the second month of the Shemu season, Amen crossed the river to Deir el Bahri on the western bank of the Nile. This feast was more ancient than the Opet festival and may have been first held at the beginning of the Middle Kingdom as a day of remembrance of the dead, but it became more famous during the New Kingdom when Amen's preeminent position in the Egyptian pantheon had become unassailable:Seti I, he made (it) as his monument for his father, Osiris-Ramses I [triumphant; making for him a house] of millions of yaers, the "Temple-of-the-Spirit-of-Seti-Merneptah-in-the-House-of-Amonon-the-West-of-Thebes"; and fashioning his barque, [built (?)] of electrum, in order to carry his beauty in the procession of the lord of gods, at his feat of the valley.Some feasts were held celebrating special occasions like Thutmose III's three Feasts of Victory The second "Feast of Victory" was celebrated at the (feast) "Day-of-Bringing-in-the-God", the second feast of Amon, in order to make it of five day's duration.Seven centuries later Piye described how he would celebrate this and other Amen festivals on his stela: "Now, afterward when the ceremonies of the New Year are celebrated, I will offer to my father, Amon, at his beautiful feast, when he makes his beautiful appearance of the New Year, that he may send me forth in peace, to behold Amon at the beautiful Feast of Opet; that I may bring his image forth in procession to Luxor at his beautiful feast (called): "Night of the Feast of Opet," and at the feast (called): "Abiding in Thebes." which Re made for him in the beginning; and that I may bring him in procession to his house, resting upon his throne, on the "Day of Bringing in the God," in the third month of the first season, second day; that I may make the Northland taste the taste of my fingers." The procession of MinThe festival of the ancient fertility god Min was celebrated during the first month of the Shemu season (3rd season). The god's statue was carried on a litter from his temple to a platform in the country, during the reign of Ramses III at least preceeded by the king himself wearing the white crown of Lower Egypt and holding a long staff and a club. A white bull had a sun-disk fastened between his horns and represented the god himself. The gilded wooden statues of the pharaohs were carried in the procession with the notable exceptions of Hatshepsut, Akhenaten and his heirs. After placing the god's statue on the platform, the pharaoh brought another offering and prayed to the godA blessing to you, Min, who fertilizes the mother. Deep is the secret of what you did to her in the dark.the mother invoked being Isis, mother of Horus, ruler over both Upper and Lower Egypt. The pharaoh shot arrows in the four directions of the wind, freed four jays representing the four sons of Horus - Amset, Haphi, Duamutaph and Kabahsenuf - to announce to the whole land, that he was the heir of Horus and put on the red and white crowns. After symbolically reaping a few ears of corn the pharaoh kept one of them to himself. Further hymns were sung and the statue of the god was returned to its temple.
OsirisFeasts in honour of Osiris celebrated fertility and were, unlike many official festivals, apparently organized by the villagers themselves at times. They were also different in the offerings presented to the god: pigs, like fish, are never found among temple sacrifices, but according to Herodotus they were offered to Dionysos (i.e. Osiris) and the Moon on such occasions.Then for Dionysos on the eve of the festival each one kills a pig by cutting its throat before his own doors, and after that he gives the pig to the swineherd who sold it to him, to carry away again; and the rest of the feast of Dionysos is celebrated by the Egyptians in the same way as by the Hellenes in almost all things except choral dances, but instead of the phallos they have invented another contrivance, namely figures of about a cubit in height worked by strings, which women carry about the villages, with the privy member made to move and not much less in size than the rest of the body: and a flute goes before and they follow singing the praises of Dionysos. Visiting the deadOn the eighteenth day of the first month of the first season the wag-feast was celebrated, by visiting the parts of the tombs accessible to the living and leaving offerings for the deceased. For most people this was probably a family gathering, but the elite turned it into an occasion of public display. Hepdjefi, a Middle Kingdom nomarch, concluded a number of contracts with the priests of Wepwawet to ensure he would receive proper post-mortem treatment, which included a torch-lit procession on the eve of the wag-feast, the presentation of offerings the next day and a further illuminated nightly outing.The dead were remembered on a number of feast days, as Ahmose I's inscription makes clear, but that everybody observed all these days of remembrance may be doubted: One spoke with the other, seeking benefactions for the departed (dead), to present libations of water, to offer upon the altar, to enrich the offering tablet at the first of every season, at the monthly feast of the first of the month, the feast of the coming forth of the sem, the feast of the night offerings on the fifth of the month, the feast of the sixth of the month, the feast of Hakro (hAkrA), the feast of Wag (wAg), the feast of Thoth, and at the first of every season of heaven, and of the earth.But it would have been a foolish person to neglect the needs of deceased ancestors, as they could be powerful allies in the underworld, looking after one's interests. Temple festivals during the Middle KingdomUnlike during the Old and the New Kingdom, no Middle kingdom festival calendars have been found. Many of the festivals below are mentioned in inscriptions from Illahun.
[1] The picture of the Karnak procession is an excerpt from a photograph by M.Audrain, The Glory of Egypt Bibliography: J. H. Breasted, Ancient Records of Egypt, 1906 J. H. Breasted, Development of Religion and Thought in Ancient Egypt, 1972 University of Pennsylvania Press Marshall Clagett, Ancient Egyptian Science: A Source Book, 2004 Diane Herodotus, Euterpe, translated by Rawlinson Karol Mysliewiec, Karol Myasliwiec, Eighteenth Dynasty Before the Amarna Period, 1985 Brill Academic Publishers Jaquet-Gordon, The Festival on which Amun went out to the Treasury in Causing His Name to Live: Studies in Egyptian Epigraphy and History in Memory of William J. Murnane, http://history.memphis.edu/murnane/ , accessed March 2007 Bojana Mojsov, Osiris: Death and Afterlife of a God, 2005 Blackwell Publishing Laszlo Torok, L Tvrvk, Handbook of Oriental Studies, 1997 Brill Academic Publishers Sherif El-Sabban, Temple festival calendars of ancient Egypt, Liverpool University Press, 2000, ISBN 0853236232 |
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| [2] Felsinschriften auf und um Elephantine by PD Dr. Stephan J. Seidlmayer | ||
| Bark stations: the Visual Story by Sjef Willockx | ||
| The Beautiful Feast of the Valley | ||
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